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Israeli short film ‘White Eye’ in the running for an Oscar

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BY HOWARD BLAS(JNS)

When Tomer Shushan had his bicycle stolen, the Israeli-born son of Moroccan Israeli immigrants went through a range of complicated emotions. Once he started the process of getting the bike back, he began to feel sorry for the alleged thief, called off the police, paid the immigrant who took it 250 shekels and still witnessed the man continuing to cry, afraid the police come for him.

“That I almost cost someone to lose [livelihood and possibly] his life, that’s what they experienced. I felt so bad that I didn’t want to have the bike anymore,” recalls Shushan. The 33-year-old graduate of Tel Aviv’s Minshar School of Art, Shushan turned his feelings into “White Eye,” a poignant 21-minute film he says he wrote in less than an hour, and later directed, about an Eritrean worker getting by in Israel and wrongly accused of stealing a bicycle from an Israeli man.

“Released in October 2019, the short film has appeared in and received awards at such festivals as the Warsaw Jewish Film Festival (Best Narrative Short), the Haifa International Film Festival (Best Short Film) and the 2020 SXSW (South by Southwest) Film Festival, where it was awarded Best Narrative Short. It is one of 15 films nominated in the Best Live Action Short category for the 93rd Academy Awards, which take place on April 25 at 8 p.m. EST at the Dolby Theatre in Los Angeles.

Shushan, lead actor Daniel Gad (who plays Omer, based on and closely resembling the name of writer “Tomer”) and cinematographer Saar Mizrahi recently discussed the film at an exclusive screening hosted by Daniel Glass, founder and CEO of Glassnote Records, and his son, Sean Glass, a filmmaker who has also had careers in music, tech and clothing (@sdotglass). Daniel Glass, who has seen the film many times, opened by noting, “I am sobbing and crying at this point,” in reaction to the thought-provoking film, which premiered April 20 on HBO Max.

The film was shot in one take over the course of a single night between 4 p.m. and 4 a.m. This means the movie was shot in its entirety multiple times. “Everyone said it was crazy,” recounts Shushan. “We believed it was the heart of the movie to do it in one take; it is just what we believed!” Despite his determination, Shushan playfully acknowledges that “until midnight, we had nothing, then magic. We got into the rhythm. We had six full takes and had to choose one before the sun came up.”

Much like Shushan’s painful personal stolen-bike story, lead actor Gad (Omer) spots his recently stolen bicycle in a run-down Tel Aviv neighborhood. He recognizes it due to a dent and a sticker his girlfriend had put on it and seeks ways to cut off the lock and reclaim it. Yunes, a black Eritrean immigrant on a break from his job in a nearby meat-packing plant, sees Omer and reports that he is the true owner of the bike, indicating that he paid 250 shekels for it. Two police officers respond and discover issues with Yunes’ visa, which could lead to possible deportation to his native country for him, his wife and their young child. Omer decides to withdraw money from a nearby ATM to pay for the bike. He returns to witness a painful surprise ending.

Gad, 31, is a well-known Israeli TV, film and theater actor. He served in the Israel Defense Forces Theater, studied acting at the Nissan Nativ acting studio in Tel Aviv, and has starred in the popular Israeli television sitcoms “Shababnikim” and “Galis.” He is currently starring in “Motel Bool BeEmtza,” has appeared in such movies as “The Damned,” and has performed in such plays as “Oliver” and “Shakespeare in Love.”

‘A story between two people’

As for his work on “White Eye,” Gad says “this was a very good challenge. It is the first time I did something like this. I really enjoyed the experience.”

Part of the experience involved not meeting Yunes until filming began. Shushan intentionally kept the actors apart until filming started.

Shushan also employed Eritreans who were not trained actors. “I met Dawit [Tekelaeb, who played Yunes] in the street when I saw him through the window of a hamburger restaurant washing dishes. I could see in his eyes he was so sad and not connected, so I approached him. He told me something—and I thought that the voice of immigrants should be non-actors and immigrants. Not everyone knows what it is like to wake in the morning and be illegal. So we used non-actors; they are the only ones who understand.”

Shushan also selected the title of the movie. “ ‘White Eye’ symbolizes blindness, which is what I feel the main character is in this moment; he is blind, and his vision comes back when he sees that his action causes harm to someone. This also happens from a white person’s eyes. The main issue is blindness, and how the Western world behaves toward refugees and immigrants.”

There are reportedly 40,000 to 80,000 migrants, illegal immigrants and asylum-seekers from Eritrea, Sudan and Somalia living in Israel with more than half living in the Tel Aviv area, mainly South Tel Aviv. The situation is politically and socially controversial, fraught for years with some locals complaining of a related increase in crime and rallying to move migrants out.

“I wrote [this film] because of the reality in Israel,” he says.

But he adds, “After it was in festivals, we understood it is a story about humans, about the international reality everywhere. It may have political aspects, but it is a story between two people—if one is more privileged, one can lose his life. There is no equality.”

The film raises important and timely issues about prejudice, racial bias, and the treatment of migrants and people of color.

The reality that Shushan has been nominated for an Oscar Award is slowly settling it.

“During this crazy year, it has been an amazing journey,” he says. “I am starting to believe. It is an amazing feeling you can’t put into words!”

More NYPD Officers Retiring to Escape Anti-Cop Political Climate

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The Mayor and City Council are absolutely trying to abolish the police. They’ve kept our pay absurdly low. They’ve ratcheted up our exposure to lawsuits. They’ve demonized us at every opportunity. And they’ve taken away the tools we need to do the job we all signed up for, which is to keep our communities safe”, Police Benevolent Association President Pat Lynch told The Post. Credit: (AP Photo/Kathy Willens)

By: Ilana Siyance

In 2020 there was a 75 percent year over year spike in retirements of New York City police officers.  As reported by the NY Post, over 5,300 NYPD uniformed officers retired or put in their leave papers in 2020. In all, the force lost roughly 15 percent of the force, with 2,600 officers who left the job and another 2,746 filing for retirement for a total of 5,346 cops lost.

It’s not hard to see why.  The year marked the pandemic, rioting, anti-cop hostility, calls to defund the police, and finally a jump in NYC shootings.  By contrast, in 2019, 1,509 uniformed NYPD officers left and another 1,544 filed for retirement, for a total of 3,053.  As of April 5, already the NYPD count of uniformed officers has dwindled from 36,900 in 2019 to 34,974.  “Cops are forming a conga line down at the pension section and I don’t blame them,” said Joseph Giacalone, a retired NYPD sergeant and adjunct professor at John Jay College of Criminal Justice. “NYPD cops are looking for better jobs with other departments or even embarking on new careers.”

As per NYPD data, the exodus began after the killing of George Floyd on May 25, 2020 by a police officer in Minnesota.  From that time through June 24, 272 uniformed NYPD officers filed for retirement.  Giacalone said he expects the rhetoric to continue with a “long, hot summer ahead,” as the City Council votes to remove qualified immunity from the NYPD, which will make it easier to personally sue a cop, which will turn “the job [into] … a minefield.”

“The Mayor and City Council are absolutely trying to abolish the police. They’ve kept our pay absurdly low. They’ve ratcheted up our exposure to lawsuits. They’ve demonized us at every opportunity. And they’ve taken away the tools we need to do the job we all signed up for, which is to keep our communities safe”, Police Benevolent Association President Pat Lynch told The Post.  “Now the NYPD is spending money on slick recruiting ads to replace the experienced cops who are leaving in droves. City Hall should just admit the truth: police abolition-through-attrition is their goal. They won’t stop until the job has become completely unbearable, and they’re getting closer to that goal with every passing day.”

In an op-ed in The Post earlier in April, Ed Mullins, president of the Sergeants Benevolent Association, wrote that ending immunity “won’t hold accountable the bad apples among cops, as some politicians insist. It will merely stop good people from wanting to become police officers.”

UES Residents Vehemently Oppose Bldg Plans for New York Blood Center HQ

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The New York Blood Center’s plans for a new headquarters have Upper East Side neighbors in an uproar. PHOTO: DBOX/ENNEAD ARCHITECTS

By Hellen Zaboulani

 

The New York Blood Center’s plans for a new headquarters have Upper East Side neighbors in an uproar.  As reported by the NY Post, the proposed expansion includes a Bio Safety Level 3 lab to study dangerous microbes, which is frightening local residents.  Opponents also argue that the size of the new building would dwindle all other buildings in the area.

 

The Blood Center, the largest community-based non-profit blood bank which doubles as a research facility, has filed to rezone its 3-story headquarters on East 67th Street, hoping to construct a 334-foot tower, most of which would be rented out to for-profit companies as a “life sciences center.”  Local residents and some elected officials have voiced the opinion that the Blood Center does not even need all that space and that a tower that large would dwarf the neighborhood school and park.  Critics are also complaining that the non-profit initially failed to disclose that the plans include a BLS 3 lab.  These labs work with “agents that may cause serious and potentially lethal infections,” as per the city Health Department, which noted in 2016 that “an accident in a New York City-based high-containment research laboratory could have catastrophic consequences.”

 

Plans for the lab had been a total hush till it was included in a slide presentation to the Friends of the Upper East Side Historic Districts. The Center has responded that it has always had such a laboratory. It told The Post that the lab “is a necessary component for the research and development of new antivirals and vaccines.” It added that it has used the lab in the past for hepatitis and HIV research.

 

This counter has not really helped to quell the fears of anxious neighbors.  “I hate to think of what they’re cooking up in there,” said City Councilman Ben Kallos, who represents the UES area.  He noted that the Blood Center has not been transparent about the lab, and that the Center has already tried unsuccessfully for a rezoning and expansion multiple times in the past.  As per city records, this time the Blood Center has hired the number one NY lobbying firm led by Suri Kasirer to push the expansion, paying $175,000 to Kasirer since 2020.

 

“We hear the community’s concerns, and we are committed to working together to bring this proposal to the Upper East Side,” said Robert Purvis, the Blood Center’s executive vice president.  He added that the research is “essential to bring its discoveries to patients as new vaccines, products, drugs and treatments.”

 

A look at Tonight’s 93rd Academy Awards

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Netflix/Plan B Entertainment/Caviar/Participant

An Oscars unlike any before will get underway Sunday night, with history on the line in major categories and a telecast retooled for the pandemic.

The 93rd Academy Awards will begin at 8 p.m. EDT on ABC. There will be no host, no audience, nor face masks for nominees attending the ceremony at Los Angeles’ Union Station — this year’s hub for a show usually broadcast from the Dolby Theatre. In contrast with the largely virtual Golden Globes, Zoom boxes have been closed out — though numerous international hubs and satellite feeds will connect nominees unable to travel.

Show producers are hoping to return some of the traditional glamor to the Oscars, even in a pandemic year. The red carpet is back, though not the throngs; only a handful of media outlets will be allowed on site. (E! red carpet coverage starts at 3 p.m.) Casual wear is a no-no. The pre-show on ABC begins at 6:30 p.m. EDT and will include pre-taped performances of the five Oscar-nominated songs. The ceremony is available to stream on Hulu Live TV, YouTubeTV, AT&T TV, FuboTV and on ABC.com with provider authentication.

Pulling the musical interludes (though not the in memoriam segment) from the three-hour broadcast — and drastically cutting down the time it will take winners to reach the podium — will free up a lot of time in the ceremony. And producers, led by filmmaker Steven Soderbergh, are promising a reinvented telecast.

The Oscars will look more like a movie, Soderbergh has said. The show will be shot in 24 frames-per-second (as opposed to 30), appear more widescreen and the presenters — including Brad Pitt, Halle Berry, Reese Witherspoon, Harrison Ford, Rita Moreno and Zendaya — are considered “cast members.” The telecast’s first 90 seconds, Soderbergh has claimed, will “announce our intention immediately.”

But even a great show may not be enough to save the Oscars from an expected ratings slide. Award show ratings have cratered during the pandemic, and this year’s nominees — many of them smaller, lower-budget dramas — won’t come close to the drawing power of past Oscar heavyweights like “Titanic” or “Black Panther.” Last year’s Oscars, when Bong Joon Ho’s “Parasite” became the first non-English language film to win best picture, was watched by 23.6 million, an all-time low.

Netflix dominated this year with 36 nominations, including the lead-nominee “Mank,” David Fincher’s black-and-white drama about “Citizen Kane” co-writer Herman J. Mankiewicz. The streamer is still pursuing its first best-picture win; this year, its best shot may be Aaron Sorkin’s “The Trial of the Chicago 7.”

But the night’s top prize, best picture, is widely expected to go to Chloé Zhao’s “Nomadland,” a contemplative character study about an itinerant woman (Frances McDormand) in the American West. Should it be victorious, it will be one of the lowest budget best-picture winners ever. Zhao’s film, populated by nonprofessional actors, was made for less than $5 million. (Her next film, Marvel’s “Eternals,” has a budget of at least $200 million.)

Zhao is also the frontrunner for best director, a category that has two female filmmakers nominated for the first time. Also nominated is Emerald Fennell for the scathing revenge drama “Promising Young Woman.” Zhao would be just the second woman to win best director in the academy’s 93 years (following Kathryn Bigelow for “The Hurt Locker”), and the first woman of color.

History is also possible in the acting categories. If the winners from the Screen Actors Guild Awards hold — “Ma Rainey’s Black Bottom’s” Chadwick Boseman for best actor, Viola Davis for best actress; Yuh-Jung Youn (“Minari”) for best supporting actress; and Daniel Kaluuya (“Judas and the Black Messiah”) for best supporting actor — it would the first time nonwhite actors swept the acting categories — and a dramatic reversal from recent “OscarsSoWhite” years.

2021 Best Picture nominees. (Sony Pictures Classics/Warner Bros. Pictures, Netflix, A24, Searchlight Pictures, Focus Features, Amazon Studios, Netflix via AP)

Several of those awards appear to be locks, particularly for the late Boseman, who would become the third actor to ever win a posthumous Academy Award following Peter Finch and Heath Ledger. Taylor Simone Ledward, Boseman’s widow, has often accepted previous honors on his behalf.

If there’s one less certain category, it’s best actress. Davis, who has won previously for her performance in “Fences,” is up against Carey Mulligan (“Promising Young Woman”) and two-time winner McDormand. Prognosticators call it a three-way toss up.

Sunday’s pandemic-delayed Oscars will bring to a close the longest awards season ever — one that turned the season’s industrial complex of cocktail parties and screenings virtual. Eligibility was extended into February of this year, and for the first time, a theatrical run wasn’t a requirement of nominees. Some films — like “Sound of Metal” — premiered all the way back in September 2019.

2021 Best Actor nominees. (Amazon/Netflix/Sony Pictures Classics/Netflix/A24 via AP)

The pandemic pushed several anticipated movies out of 2020, but a few bigger budget releases could still take home awards. Pixar’s “Soul” appears a sure-thing for best-animated film, and Christopher Nolan’s “Tenet” — which last September tried to lead a moviegoing revival that fizzled when virus cases spiked and many theaters couldn’t reopen — will likely win for its visual effects.

But for the first time, Hollywood’s most prestigious awards will overwhelming belong to films that barely played on the big screen. The biggest ticket-seller of the best picture nominees is “Promising Young Woman,” with $6.3 million in box office.

Lately, with vaccinations expanding, signs of life have begun to show in movie theaters — most of which are operating at 50% capacity. Warner Bros.′ “Godzilla vs. Kong” has made around $400 million worldwide, which theater owners point to as proof that moviegoers are eager for studios to again release a regular diet of big movies. Right now, the date circled on cinema calendars is May 28, when both Paramount’s “A Quiet Place Part II” and Disney’s “Cruella” arrive in theaters — though “Cruella” will simultaneously stream for $30.

But it’s been a punishing year for Hollywood. Around the world, movie theater marquees replaced movie titles with pleas to wear a mask. Streaming services rushed to fill the void, redrawing the balance between studios and theaters — and likely forever ending the three-month theatrical exclusivity for new releases. Just weeks before the Oscars, one of Los Angeles’ most iconic theaters, the Cinerama Dome, along with ArcLight Cinemas, went out of business.

After the pandemic, Hollywood — and the Oscars — may not ever be quite the same. Or as WarnerMedia’s new chief executive Jason Kilar said when announcing plans to shift the studio’s movies to streaming: “We’re not in Kansas anymore.”

(Breitbart News)

Oscar Winning Producer Scott Rudin Resigns from Broadway League After Allegations of Decades of Abusive and Violent Behavior

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AP

(AP) — Film and theater producer Scott Rudin is resigning from the powerful Broadway League as he faces allegations of decades of abusive and violent behavior.

“I know apologizing is not, by any means, enough,” Rudin, whose credits include “To Kill a Mockingbird,” “The Book of Mormon” and a revival of “West Side Story,” wrote this week in an email to The New York Times. “In stepping back, I intend to work on my issues and do so fully aware that many will feel that this is too little and too late.”

The Broadway League is the trade association for theater owners and producers.

His decisions follow a cover story in The Hollywood Reporter earlier this month containing accounts, which he has not denied, of throwing objects at employees and engaging in ongoing verbal abuse.

Rudin, 62, has previously said he would be “stepping back” from his stage productions.

Hundreds of theater workers marched down Broadway on Thursday, rallying to demand more inclusion in the industry and calling for Rudin to be removed from the Broadway League.

“Hey, hey, ho ho. Scott Rudin has got to go!” the crowd chanted.

FBI Releases Documents On Investigation Into Death Of DNC Staffer Seth Rich

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AP

Authored by Zachary Stieber via The Epoch Times

The FBI has produced 68 pages relating to a Democrat National Committee (DNC) worker who was shot dead in 2016 in Washington, including an investigative summary that appears to suggest someone could have paid for his death.

Seth Rich, the worker, was shot dead in the early morning hours on July 16, 2016, near his home in the nation’s capital.

The murder, which is unsolved to this day, fueled widespread media coverage, especially after WikiLeaks founder Julian Assange suggested that Rich was the person who provided internal DNC emails to WikiLeaks. Rich’s family has called the notion that Rich leaked documents to WikiLeaks a conspiracy theory.

The newly released files show top Department of Justice officials met in 2018 and discussed Rich’s murder. They reviewed Rich’s financial records and did not identify any unusual deposits or withdrawals.

Additionally, none of the witnesses interviewed during the investigation reported to authorities anything unusual about Rich’s life prior to the homicide.

One witness saw an individual walking away from the location where Rich was killed but thought Rich was merely drunk so did not alert authorities. They realized something bad had happened when they saw a bloodstain on the ground in the same place the following day, as well as police tape surrounding the scene.

A person whose name was redacted took Rich’s personal laptop to his house, according to one of the newly released documents. The page also indicates that authorities were not aware if the person deleted or changed anything on Rich’s personal laptop.

The FBI came into possession of Rich’s work laptop, the bureau previously revealed.

On another page, it was said that “given [redacted] it is conceivable that an individual or group would want to pay for his death.”

“That doesn’t sound like a random street robbery,” Ty Clevenger, a lawyer, told The Epoch Times.

Law enforcement officials have suggested Rich was the victim of an attempted robbery, according to news reports, though none of his belongings were stolen. They have said no evidence links the shooting to Rich’s employment by the Democratic National Committee.

The files were released this week in a lawsuit filed on behalf of Texas resident Brian Huddleston, who Clevenger represents.

 

Seth Rich, the voter expansion data director for the Democratic National Committee, in a file photograph. (LinkedIn)

Huddleston sued the FBI after it told him it would take 8 to 10 months in June 2020 to respond to his Freedom of Information Act request. Huddleston asked the FBI to produce all data, documents, records, or communications that reference Seth Rich or his brother, Aaron Rich.

A federal judge earlier this year ordered the FBI to produce documents concerning Rich by April 23. The FBI identified 576 relevant documents but only produced 68 of them to Huddleston.

The FBI has declined to speak about the lawsuit. Attorneys for Rich’s parents did not immediately respond to requests for comment.

The documents show that some reporting on Rich’s death was wrong, such as an ABC News report that claimed the FBI was not involved in investigating the murder.

Clevenger said he found concerning how the government apparently does not know whether anything was deleted from Rich’s personal laptop.

The documents were largely redacted but the information that did get through “shows that their whole narrative is falling apart,” he added. “It’s a step in the right direction.”

The attorney plans to ask U.S. District Judge Amos Mazzant, an Obama nominee, to produce unredacted copies for his perusal. The judge could rule that some redactions were improper.

Defendants could also face repercussions for not producing all of the documents they have concerning Rich, including fines.

U.S. Attorney Andrea Parker, who is representing the FBI, told the judge in a court filing this week that the bureau can only process 500 pages per month for each Freedom of Information Act request. She asked the court to give the bureau additional time to produce all of the relevant records.

Clevenger told the judge in a court filing this week that the private sector routinely processes 500 pages or more per day and that the government should be afforded no more than two weeks to produce the remaining 1,063 pages.

Meet the Swiss Billionaire Behind Arabella Advisors’ “Dark Money” Empire

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by Hayden Ludwig(Capital Research)

New York Times reporter Ken Vogel recently revealed the efforts by Swiss billionaire and leftist mega-donor Hansjörg Wyss to purchase the parent company of the Chicago Tribune and other failing newspapers around the country. It’s laudable to see such genuine investigative journalism—especially since it likely led the billionaire to withdraw his $100 million bid. When so many framed Wyss as a liberal white knight bent on saving a venerable American industry, the reality couldn’t have been more different.

Concrete Ethics

The Swiss-born Wyss made his fortune as the head of Synthes USA, a major medical implants and biomaterials manufacturer he built from practically nothing and sold to Johnson & Johnson in 2012 for $19.7 billion. Today, Wyss is worth an estimated $8.5 billion.

Yet his success is marred by ghoulish controversy. In 2009, Synthes USA—with Wyss at its head—was charged by Philadelphia’s U.S. attorney with running an illegal clinical trial on humans: Injecting them with a cement that turns to bone inside the human skeleton. The Food and Drug Administration (FDA) reportedly told the company not to use the cement during spine surgeries. Synthes ignored the warning, and five people died as a result.

Four of Synthes’ top executives were ultimately sentenced to prison. One wonders if liberal billionaire privilege saved Wyss from sharing the blame—he wasn’t charged by prosecutors—but he’s been accused of purposefully ignoring clinical trials and of being a “hands-on,” “forceful,” “800-pound gorilla” who allowed little dissent in the ranks.

Despite his highly questionable ethics, Wyss is beloved among activists as a major donor to left-wing causes through his Wyss Foundation (2018 assets: $2.2 billion). Yet far from practicing old-fashioned philanthropy, the Wyss Foundation is as political as they come—just take its ties to the $731 million “dark money” network run by Arabella Advisors in Washington, DC.

Arabella runs four in-house nonprofits, all of which specialize in attacking Republicans, tilting elections, and passing radical legislation. Each of these nonprofits manages a host of “pop-up” groups, websites designed to fool viewers into believing they’re grassroots activist groups. To date, Capital Research Center has identified hundreds of such “pop-ups.”

What’s clear after studying this network over the past two years is that it’s the height of professional left-wing activism. When a donor goes to Arabella, they’re expecting a political payoff.

The Hub Project

The Wyss Foundation has funneled nearly $57 million into the New Venture Fund, Arabella’s flagship 501(c)(3), since 2009.

Little is known about how that money was spent. But a 2015 document created for the Wyss Foundation outlines a plan for a “communications hub”—intended to support the foundation’s “core issue areas,” “drive measurable change,” and achieve “significant wins” “leading to implementation of policy solutions at the local, state, and federal level”—which is strikingly similar to an existing Arabella group, the Hub Project.

Politico reports the Hub Project aided Democrats on “health care, taxes and the economy” in the 2018 midterm elections. The Atlantic cheerfully credits the Hub Project with doing “remarkable damage” to President Trump’s reputation among Wisconsin voters in the lead-up to the 2020 election. In April the group hired a campaign director whose last job was flipping the Senate in 2020 for a top Democratic PAC.

Yet because it’s a project of the Arabella-run Sixteen Thirty Fund, the Hub Project doesn’t disclose its funding and budgets or file Form 990 reports with the IRS. Arabella’s activism is the very definition of “dark money” that so many liberals claim to dread.

Politics Is Philanthropy

Arabella’s darkness also obscures just how much Hansjörg Wyss—a would-be media magnate who could use the Tribune to influence election outcomes—poured into this partisan group. Wyss has done it before: In 2019, his foundation granted $1 million to States Newsroom, a bundle of partisan attack sites posing as impartial news outlets that was spawned by Arabella.

Add to that this foreign national’s track record of meddling in American elections, contributing $41,000 to Democratic PACs in violation of the federal government’s strict ban on foreign nationals giving to U.S. political campaigns.

What could he do with one of the nation’s most powerful newspapers at his disposal?

Just four years ago, the threat of foreign nationals influencing our elections through fake news outlets was the worst conceivable horror on Earth. It’s liberals who should have been the loudest opponents of Wyss’s efforts to take over the media. So where were they? With the powerful exception of Mr. Vogel, they were nowhere to be seen.

We may never know how much damage this foreign billionaire’s “philanthropy” has really caused our republic. But what should be obvious is that, to the Left, politics is philanthropy—and if liberal billionaires get their way, it’s coming to a newspaper near you.

UK Jewish community demonstrates against antisemitism in France after murderer spared trial

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The UK Jewish community has held a demonstration outside the Embassy of France in London on Sunday, joining a day of global protests by Jewish communities around the world following a decision by France’s highest court to spare an antisemitic murder from trial because he was high on cannabis at the time that he committed his crime.

Registration for the Covid-compliant rally filled up within 24 hours of Campaign Against Antisemitism announcing the protest, as the Jewish community in Britain mobilised to protest the treatment of France’s Jews, with rallies being held in cities across France, Israel and the United States.

Speeches

Speaking at the rally, actress Dame Maureen Lipman said that “a Gallic knee is on the necks of French Jews and French Jews cannot breathe.”

Campaign Against Antisemitism Chief Executive, Gideon Falter, said “During the Holocaust, French authorities were too often complicit in the genocide of French Jews. After the war, the nation vowed to defend what remained of its Jewish population. The decision of France’s highest court that torturing and throwing an elderly Jewish woman out of a window cannot be ascribed to antisemitic motivations if the attacker is high, is a betrayal of that pledge.

“For decades, French Jews have suffered antisemitic abuse, violence and terrorism. Antisemitism in France is out of control, with incidents rising 121% since 2017, and Jews, who comprise 1% of France’s population, bearing the brunt of 41% of hate crimes.

“It is intolerable that a leading European nation is so abjectly failing to stop the persecution of its Jewish population.”

Murder of Dr Sarah Halimi

On 4th April 2017, Sarah Halimi, a 65-year-old retired doctor and schoolteacher, found a man in her Paris apartment. It was her neighbour Kobili Traoré, who had subjected her to years of antisemitic abuse. He savagely beat her, shouting “Allahu akhbar” and then hurled her from her window to her death, shouting “I killed the shaitan [demon]”.

For months, French authorities refused to admit the antisemitic nature of his crime. Sarah Halimi’s murderer, a violent drug dealer, claimed that he had felt “possessed” because he was high on cannabis and should not be held responsible.

Last week, France’s highest court agreed with him. Sarah Halimi’s family is now considering an appeal to the European Court of Human Rights and action in Israeli courts.

In France today, it is possible to be sentenced to a year in prison for throwing a dog from a window whilst high on cocaine, but if you hurl a Jew to their death whilst on cannabis, you walk free.

For years, France has gradually betrayed its Jews by allowing antisemitism to run rampant, putting French Jews in fear.

Key incidents in France
2000s: Firebombing of synagogues, regular violent attacks on Jews start
2003: Sebastien Selam tortured and murdered
2006: Ilan Halimi tortured for three weeks and murdered
2012: Gun attack on Jewish school in Toulouse, killing rabbi and children aged 3, 5 and 7
2015: Gun attack on kosher supermarket as part of Charlie Hebdo attack, killing four
2017: Dr Sarah Halimi, 65, tortured, beaten and hurled from a window of her home
2018: Mireille Knoll, 85, stabbed and burned alive in her home

Gal Gadot Explains How Her Husband Lost Part of Her Fingertip on Jimmy Kimmel

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YouTube.com

Gal Gadot told a gruesome but hilarious story on The Jimmy Kimmel show, about making a salad, chopping part of her fingertip off, and what exactly happened to the severed fingertip after the accident.

Here is her appearance with Kimmel

 

 

Zachor Legal Institute is Delighted to Announce a Partnership with Zionists on Campus

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Antisemitism on university campuses has a long history of being tolerated by university administrators. This has resulted in an environment where Jewish students who seek to assert their shared ethnicity as the indigenous people of the modern State of Israel (also known as Zionism) have been intimidated into silence and acceptance of blood libels. They are prevented from exercising their right to express their identities and participate fully and equally in campus life. The failure of university administrators and state and federal regulators to take action against the blatant discrimination Zionist students face has left these students with no options other than to be victims of radical student groups that openly acknowledge they intend to silence Zionist voices and remove any viewpoints that support Zionism.

Compounding the problem, anti-Zionist radicals are allowed to spread propaganda and lies about Zionism on campus, such as Israel Apartheid Weeks, which amplifies the hostile university environment for Zionist students as anti-Zionism becomes dogma on campuses.

While existing laws, including Title VI of the Civil Rights Act, nominally prohibit the kind of discrimination faced by Zionist students on campuses, these laws are not frequently enforced and university administrators have been intimidated by anti-Zionist radicals. As a result, universities are reluctant to treat Zionist students with fairness, whether the issue is presenting the truth about Israel, countering anti-Zionist propaganda with facts or ensuring that the campus environment is one where the expression of all viewpoints is protected.

Zachor Legal Institute, a non-profit focused on eliminating discrimination, has been contacted by students numerous times over the past several years regarding anti-Zionism on campuses, but students continue to be fearful of repercussions if they demand equal rights. As a result, students generally choose to accept discrimination so they can graduate without undue complications.

Zionists on Campus will work together with existing campus organizations to protect Zionist students and aggressively advocate for institutional changes at universities to confront the dangerous conditions created by the growing culture of anti-Zionist discrimination.

Understanding that Zionist students seek a campus organization that will have the legal support of activist organizations, Zachor Legal Institute has agreed to be the legal advisor to this newly formed campus project that will work with Zionist students who seek to combat anti-Zionist campus discrimination. Zionists on Campus is organized by a combination of current and recently matriculated students from campuses that have experienced the most significant levels of anti-Zionist discrimination. They work to educate students on the truth about Israel and the history of Palestinian terrorism that has led to the current security situation Israel faces, among other topics, and will also insist that universities provide Zionist students with equal rights and an environment free from racial and national origin-based intimidation, harassment and discrimination.

Lizzy McNeill, project manager of Zionists on Campus, said: “Jewish and Israel supporting students are often harassed, intimidated, and silenced on U.S. college campuses. The word Zionist has been demonized by aggressive anti-Israel groups. Many students feel that by supporting Zionism they are in jeopardy of failing classes or being ostracized by peers for their beliefs. Zionists On Campus is a new organization that will help provide resources to students facing intimidation. With support from Zachor Legal Institute, Zionists On Campus will be able to properly advocate for Zionist students at universities.”.

NYC & Company Highlights 10 Ways to Experience What’s New in NYC in 2021

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Brooklyn Bridge Park. Photo Credit: Julienne Schaer

Edited by: TJVNews.com

NYC & Company, the official destination marketing organization and convention and visitors bureau for the five boroughs of New York City, is encouraging New Yorkers, visitors and meeting delegates to safely enjoy a selection of new experiences and places to visit that have recently opened or will open later this year.

“From prominent new hotels and restaurants, to remarkable once-in-a-lifetime exhibitions, to new attractions and waterfront activities, New York City in 2021 is poised to demonstrate its reawakening and vibrant future ahead,” said Fred Dixon, President and CEO of NYC & Company. “We look forward to safely welcoming visitors back to the City they know and love, while also encouraging them to go deeper and explore more in the dynamic multicultural neighborhoods across the five boroughs.”

NYC & Company recently launched a new citywide selection of Neighborhood Getaways, with deals and savings on attractions, hotels, museums, restaurants, shopping, tours and more to take advantage of while exploring.

Below is a list of 10 ways to experience a selection of what’s new across the five boroughs in 2021 and beyond:

  1. Fly into the newly-remodeled LaGuardia Airport or Terminal A at Newark Liberty International Airport:

LaGuardia’s redesigned Terminal B features 35 new gates, along with retail, food and beverage and amenities that more than doubles the previous offerings. With soaring ceilings and plenty of natural light, the new terminal has nearly 50 shops and restaurants including iconic NYC retailers Shake Shack and FAO Schwarz. By mid-2022, with the completion of the head-house for Delta’s new Terminal C, visitors will be greeted by a new, unified airport fit for the 21st century with its two new terminals connected by a magnificent Central Hall, featuring the Orpheus and Apollo sculpture formerly at Lincoln Center.

Additionally, construction at Newark Liberty International Airport is nearly 75% complete for an all-new Terminal A, with 33 gates opening next year.

  1. Travel by train to NYC via the new Moynihan Train Hall:

Moynihan Train Hall, a spectacular 92-foot-high skylighted train hall, transformed the landmark James A. Farley Post Office Building into a 21st-century transportation hub serving LIRR and Amtrak passengers. The new station features 50% more concourse space, state-of-the-art wayfinding, information displays and is a welcomed expansion of the Penn Station complex.

  1. Attend an event or exhibition at the newly expanded Javits Center:

The Jacob K. Javits Center is completing a 1.2-million-square-foot expansion projected to open this spring, including a 54,000-square-foot special event space, the largest of its kind in the Northeast, a new indoor/outdoor rooftop pavilion that can accommodate 1,500 people, a one-acre rooftop farm to be used in the millions of meals served at the space, 90,000 square-feet of exhibit space, and much more. Although the Javits Center is currently serving as a vaccination site, it will soon welcome people from around the world for conventions, meetings and more at the expanded space.

  1. Enjoy new attractions and tours:

The recently opened Friends Experience offers fans of the TV show two floors of interactive experiences including the iconic orange couch, show props and costumes. Visitors can also grab a coffee at Central Perk which is open to the public daily.

On Location Tours is now offering a Marvelous Mrs. Maisel’s Sites Tour, a private tour of 1950’s NYC in a 1957 Studebaker Commander as seen on the show, highlighting iconic locations from the series.

The Phoenix Family Thrill Roller Coaster will rise this summer at Coney Island. Standing 68 feet tall, the new ride will reach speeds of 34 miles per hour and guarantees a thrilling new addition at Deno’s Wonder Wheel Amusement Park, celebrating its 100th season this year.

Opening in the fall, SUMMIT will be NYC’s newest observation deck and immersive experience at the crown of the iconic One Vanderbilt. SUMMIT will take visitors to the highest vantage point in Midtown with views of The Chrysler Building, Empire State Building and north to Central Park, and glass floor ledges that overhang Madison Avenue. The observation deck will also offer food and beverage options.

  1. Visit iconic museums, cultural organizations and performing arts venues for new experiences and exhibitions:

The Frick Collection recently opened the Frick Madison, its temporary new home while the main building is under a years-long renovation. Located at the Marcel Breuer-designed building—the former site of the Met Breuer and the Whitney Museum of American Art—the Frick Madison features new acquisitions and highlights from the collection organized chronologically and by region.

Recently reopened after a two-year renovation, Dia:Chelsea follows Dia’s mission to commission single-artist projects, organize exhibitions, realize site-specific installations, and collect in-depth work of artists of the 1960s and 1970s.

Restart Stages at Lincoln Center launched earlier this month with a performance for healthcare workers by the New York Philharmonic on World Health Day. Restart Stages is an outdoor performing arts center with 10 outdoor performance and rehearsal spaces created to help kick-start the performing arts sector by featuring events by organizations from across the five boroughs.

The Landfill Fashionista at Snug Harbor Cultural Center & Botanical Garden in Staten Island is currently on display through June 30 as a multimedia art exhibition by the Staten Island Urban Center’s Young Women’s Leadership Group highlighting the need for environmental justice.

For the first time in a New York museum, the work of sculptor, painter and filmmaker Niki de Saint Phalle is featured at MoMA PS1. On display through September 6, Niki de Saint Phalle: Structures for Life features more than 200 pieces from the feminist artist dating back to the mid-1960s, including some work that has never been exhibited.

The Guggenheim Museum is the first place in New York to show Jackson Pollock’s famous “Mural” painting in more than 20 years, with Away from the Easel: Jackson Pollock’s Mural, on display through September 19. The mural marked a pivotal moment in the evolution of Pollock’s artistic style as he began to move into more abstract art styles and non-traditional painting techniques like his signature drip method.

On display through September 26, Estamos Bien—La Trienal 20/21 is El Museo del Barrio’s first large-scale survey of Latinx contemporary art, featuring works by 42 artists and art collectives from throughout the US, including Puerto Rico, and representing various cultures, from Chicano to Dominican.

KUSAMA: Cosmic Nature premiered at the New York Botanical Garden in the Bronx earlier this month featuring new work by Japanese artist Yayoi Kusama, including two new outdoor monumental sculptures Dancing Pumpkin and I Want to Fly to the Universe, as well as Infinity Mirror Rooms and colorful flowers and floral sculptures that will change seasonally through October 31.

The Whitney Museum of American Art will debut Day’s End by David Hammons in May, as a permanent public art project located in Hudson River Park, directly across from the museum, that will pay homage to Gordon Matta-Clark’s 1975 artwork of the same name in the same location, and change with the light of day and atmospheric conditions. Day’s End will allude to the history of NYC’s waterfront from the heyday of the City’s shipping industry in the late 19th century to its role as a gathering place for the gay community in the 1970s.

Visit Wave Hill in the Bronx for The Shadow of the Sun: Ross Bleckner and Zachari Logan, an exhibition to be held May 22 through August 15, featuring the works of New York-based painter Ross Bleckner and Canadian artist Zachari Logan who have collaborated for the past decade using different mediums.

The completely redesigned Allison and Roberto Mignone Halls of Gems and Minerals will open at the American Museum of Natural History in June. The halls will feature nearly 5,000 specimens from 95 countries—including two amethyst geodes that are among the world’s largest on public display—which will tell the fascinating stories of how mineral diversity arose, the environments in which minerals form, how scientists classify them, and how humans have used them throughout history.

Beginning June 6, experience Cézanne Drawing at MoMA, which will showcase more than 200 works on paper—including drawings, sketchbooks, and rarely seen watercolors— alongside a selection of related oil paintings, from modern artist Paul Cézanne. On display through September 25, this is the first major effort in the US to unite drawings from across the artist’s entire career, exploring his methods and revealing his most radical works on paper.

Two immersive art experiences will open in June celebrating the works of Vincent Van Gogh. Immersive Van Gogh Exhibit New York, opening on June 10, will feature Van Gogh’s work in a captivating digital art exhibit, giving guests the rare opportunity to “step inside” Van Gogh’s art at a location that will be announced in the coming days. The second, Van Gogh: The Immersive Experience, opening on June 21, will be a 360º digital art exhibition at the Skylight on Vesey in Lower Manhattan.

Beginning August 27, The Obama Portraits Tour will be presented at the Brooklyn Museum on its five-city tour. This special presentation enhances conversations surrounding the power of portraiture and its role in engaging communities, and will be in display through October 24.

The Metropolitan Museum of Art will bring back The Costume Institute’s next major exhibition in September, a two-part show on view from September 18, 2021 through September 5, 2022. Part one, In America: A Lexicon of Fashion, will open on September 18 celebrating The Costume Institute’s 75th anniversary while exploring a modern vocabulary of American fashion. Part two, In America: An Anthology of Fashion, opening on May 5, 2022, will explore the development of American fashion.

For the first time in decades, the Intrepid Sea, Air & Space Museum will allow visitor access to its pilot escalator, which has recently been restored, and later this year, visitors will have the opportunity to peek into one of Intrepid’s bomb elevators, which transported weapons to other parts of the ship where they were assembled, armed and loaded onto airplanes.

Broadway is projected to return this September with classics like Aladdin, Chicago, The Phantom of the Opera and more, and newer productions including Hadestown, Jagged Little Pill and Moulin Rouge. Brand-new shows will also debut, including Thoughts of a Colored Man, Diana and Mrs. Doubtfire.

Victoria Theater will open as an addition to the Apollo Theater this fall, marking the first expansion in its history. The theaters at the Victoria, located down the street from The Apollo, are two new and flexible performance spaces, one with 99 seats and the other with 199 seats. The space will be used by artists, students, audiences and cultural partners, extending The Apollo’s role and mission to support artistic creation and collaboration in Harlem. The Victoria Theater redevelopment project will also include residential units, retail space and a hotel, the Renaissance Hotel Harlem.

The Louis Armstrong House Museum in Corona, Queens is undergoing a physical and programmatic expansion for a New Center, projected to open this spring, that will increase the Museum’s capacity to fulfill its mission of sustaining and promoting the cultural, historical and humanitarian legacy of Louis Armstrong.

  1. Stay at a new hotel:

Nestled between the Times Square, Garment District and Hudson Yards neighborhoods, Arlo Midtown will open in late May with a modern mix of 489 total guest rooms, ample communal spaces, and four food and beverage outlets by the award-winning Gerber Group. Guests can choose from King and Double Rooms with terraces overlooking Hudson Yards, or opt for luxury with the Penthouse and King Suites, a first for Arlo.

Occupying the Crown Building in the heart of Manhattan on Fifth Avenue, Aman New York is expected to open in June with 83 rooms and suites, 22 private residences, three restaurants and a spa spanning three stories and featuring an indoor swimming pool, sauna and steam rooms, hot and cold plunge pools, as well as an outdoor terrace with cabana, daybed, and fireplace.

Opening in June, Margaritaville Resort Times Square will offer an island oasis at the crossroads of the world. Featuring 234 guestrooms and amenities such as an outdoor heated pool, retail store and fitness center, Margaritaville Resort Times Square will bring an island vibe to the bustling neighborhood.

Situated on the Cornell Tech campus on Roosevelt Island, the Graduate Roosevelt Island will offer guests views of Manhattan and Queens upon opening in June. The pet-friendly hotel will feature futuristic themes with nods to Roosevelt Island’s history.

Ace Hotel Brooklyn is expected to open in July in Boerum Hill, on the cusp of Downtown Brooklyn. Designed by Roman and Williams, the 287-room hotel will feature a communal lobby, a verdant indoor garden room, multiple event spaces, a large-scale installation by artist Stan Bitters, and guest rooms that feature floor-to-ceiling windows with panoramic views of Manhattan, Staten Island and the Statue of Liberty.

Opening near Hudson Yards, the Pendry Manhattan West will feature 164 guest rooms including 30 suites, a signature restaurant, a lounge and open-air terrace bar when it debuts in July.

Expected to open this fall a few steps from Madison Square Park, The Fifth Avenue Hotel will boast high ceilings and a large ballroom, as well as a multi-level restaurant and a bank vault that has been transformed into a wine cellar.

Development is underway on the 210-room Renaissance Hotel Harlem, which is expected to open this fall above the historic 1917 Victoria Theater. Near the Apollo Theater on West 125th Street, the development also includes a cultural center, retail and apartments.

The 40-story Ritz-Carlton New York NoMad will be the City’s second Ritz-Carlton when it opens on 28th Street and Broadway later this year, and will include an outpost of the Mediterranean restaurant Zaytinya, by Chef José Andrés.

The Virgin Hotel will be the brand’s first NYC property upon opening in NoMad later this year. The new hotel will feature 463 guest rooms, multiple food and beverage venues and a rooftop pool and bar.

  1. Attend large-scale events and commemorate historic anniversaries:

Premier art fair Frieze New York will take place May 5-9 for the first time at The Shed in Manhattan. Bringing together world-class galleries, collaborations, special projects and talks, this year’s programming will feature the much-celebrated section Frame, dedicated to solo presentations by emerging artists from around the world.

NYCxDESIGN will host Design Days, May 13-18, showcasing the latest in design through virtual events, open studios, exhibitions, talks, and more, including various events and self-guided journeys across the five boroughs.

Celebrating its 20th anniversary this year, the iconic Tribeca Film Festival will take place June 9–20, in a reimagined format with screenings at locations across all five boroughs, including Brookfield Place, Empire Outlets, Hudson Yards, MetroTech Commons, Pier 57 Rooftop and The Battery.

Known as the “World’s Most Famous Building,” the Empire State Building will celebrate its 90th anniversary as an iconic landmark in 2021.

September 11 will mark 20 years since 9/11 and the City is honoring those we lost with a citywide tribute of lights and additional cultural programming to be announced at a later date, to commemorate this important and never-to-be-forgotten day in history.

  1. Dine at a new restaurant:

Melba Wilson, the chef and owner of Melba’s, will open a new seafood restaurant in August, Melba’s Mussels, located in South Harlem. The restaurant will offer mussel dishes inspired by notable icons such as Sophia Loren and Frida Kahlo.

Featuring Indian dishes from the subcontinent and beyond, SONA recently opened in the Flatiron District with dishes such as Malabar chicken biriyani and tandoor roasted beets. The elegant restaurant resembles Mumbai in the late 1930s with an art deco lounge that flows into a rear dining room.

Fieldtrip, by JJ Johnson, recently opened its newest location in Rockefeller Center. Fieldtrip embraces the heritage of rice focusing on sustainable rice grains in its prepared rice bowls.

Modern American steakhouse Charlie Palmer Steak NYC is now open at One Bryant Park, tapping into Times Square’s vibrant and dynamic energy.

Massive Midtown Seafood Restaurant Le Pavillon by Daniel Boulud will open in May at the base of One Vanderbilt with 100 seats, a 30-seat bar and a flowering garden with real black olive trees. The seafood establishment is a nod to the first haute French restaurant in NYC that opened in 1941 and closed in the early 1970s.

This fall, José Andrés will open an outpost of Mediterranean restaurant Zaytinya in the new Ritz-Carlton New York, NoMad. Bazaar will follow later in the year, also in the new hotel.

 

  1. Discover the waterfront and outdoor activities:

Circle Line, Classic Harbor Line, Statue Cruises and City Experiences by Hornblower sightseeing and leisure tours have reopened for the season with updated offers.

With the recent Inwood and Washington Heights expansion, Citi Bike is now one of the largest bike share systems in the world next to China.

A statue of Ruth Bader Ginsburg was unveiled last month at City Point in Downtown Brooklyn and is available for public viewing daily.  Created by contemporary artists Gillie and Marc, the bronze statue underscores the importance of gender equality in public art. The artists said of the statue, “With the two steps on its large base representing the Supreme Court and the climb she made to get there, the work is designed to provide the public with an opportunity to stand at her side, and gain inspiration from her journey fighting for equal rights.”

Expected to open as a public park on June 1, Phase 1 of Pier 76 will include a walking area and outdoor flexible space, as well as benches with waterfront views.

Marsha P. Johnson State Park (formerly East River State Park) will reopen this June after undergoing extensive renovations. The waterfront park in Williamsburg will include a new park house with public restrooms, classroom space, new park furniture, and a public art display honoring Marsha P. Johnson, an advocate for gay rights, and the LGBTQ+ community.

The NYC Ferry will add new routes and stops this year to serve more waterfront communities, including a Staten Island route (to Battery Park and Midtown West) this summer and a Coney Island route (to Bay Ridge and Wall Street) later this year along with the Ferry Point Park/Throgs Neck extension of the Soundview route.

  1. Shop at newly opened retail storefronts:

Madison Avenue has welcomed recent and upcoming developments by luxury brands, including a newly opened Montblanc flagship as well as a Manolo Blahnik flagship opening this spring. Other expansions currently under construction include Brunello Cucinelli; Fendi; Giorgio Armani; Graff Diamonds; and Hermès.

The RealReal recently opened in Cobble Hill, Brooklyn, making the location its third NYC store. The luxury-consignment store offers gently used adult and children’s clothes, jewelry, fine art and home decor at a fraction of the original cost.

Loeffler Randall recently opened its first storefront in SoHo and will use the inaugural shop to showcase the brand’s unique shoes, handbags and accessories in the trendy neighborhood.

The world’s first official Harry Potter flagship store, Harry Potter New York,  will open on June 3 in the Flatiron District. The store will feature the largest selection of Harry Potter and Fantastic Beasts merchandise under one roof, as well as 15 themed areas, interactive displays and photo-ops.

Century 21 is expected to make its return to the five boroughs later this year, though the specifics of where and when are still being finalized.

For a list of recent reopenings across NYC, visit nycgo.com/whatsopen.

Visitors to the five boroughs are encouraged to wear masks, practice physical distancing and frequently wash/sanitize hands, as indicated in NYC & Company’s Stay Well NYC Pledge. Check with individual businesses for current operating status and hours, as well as health and safety protocols, prior to visiting. For more information on safely exploring NYC, visit nycgo.com.

About NYC & Company:

NYC & Company is the official destination marketing organization and convention and visitors bureau for the City of New York, dedicated to maximizing travel and tourism opportunities throughout the five boroughs, building economic prosperity and spreading the positive image of New York City worldwide. For all there is to do and see in New York City, visit nycgo.com.

 

The Disunited Identities of America

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A supporter for the transgender community holds a trans flag in front of counter-protesters to protect attendees from their insults and obscenities at the city's Gay Pride Festival in Atlanta on Saturday, Oct. 12, 2019. (AP Photo/Robin Rayne)

By: Phyllis Chesler

 

We are fast becoming the Disunited Identities of America. American embassies may now fly the gay rainbow flag along with the American flag. What next? A Transgender Flag? A Black Transgender “Sex Worker” Flag? A “Palestinian” Flag? A special flag for American non-binaries and asexuals? How about separate flags for every possible ethnicity that American citizens represent? Better still, a special flag for the illegal/undocumented — they’re here, too.

I happen to like the rainbow flag very much and for more than one reason.  I like what rainbows biblically represent, namely, a forever truce between God and humanity. No matter how vain or venal our behavior may be, God is resigned to accepting the fact that we are all made of “crooked timber” and will sin, again and again, but God will never again unleash a deadly flood to destroy all mankind.

Originally, the gay pride/rainbow flag had at least eight colors. Over time, that number has both increased and decreased. Each group, newly self-identified, proudly, the latest victim on the block, adopts a unique color.

Walt Whitman, that very gay male and so-American poet, proclaimed that he (and we all) “contain multitudes.” Why diminish us, why limit us to only one identity and an identity that only proclaims our sexual proclivities — and nothing else, nothing more?

I wrote an entire chapter about the dangers of such balkanization and self-minimization for a book of mine. The publisher (who shall remain nameless) censored it. What I was writing was deemed too “politically incorrect.”

A mighty wind is powering this flag of identity, rending asunder all hope of unity, dividing citizen against citizen, making political alliances difficult if not impossible.

Where is the flag for the victims of sex slavery — that would be female sex slaves, they are the majority, all others, whether male or transgender, however trendy, are in the minority. Where is the flag for rape victims — that too would mainly be female victims of male rape. A flag for the mainly female victims of domestic violence?

Prick us, will we not bleed?

Where is the flag for African Americans, Asian Americans, Hispanic Americans, Indian Americans, Native Americans, South Asian Americans — just on and on?

Yes, I know, I’ve been told over and over again, that we are mighty sinners when it comes to racial integration. That America was founded on slave labor and that we are now at a time of righteous reckoning and reparations. However true this may be, I cannot bear the angry “peaceful” rioters and the intensity of the racialized narrative everywhere I turn.

For example, my hometown newspaper, the New York Times, has been on quite a roll. For more than a year, maybe longer, every single day, 3/4 of the stories, at least 1/2 of the op-eds and letters, and perhaps 70% of all photos concern race issues in America. Black and brown faces and issues massively dominate the news, the obituaries, and the arts: Suddenly, playwrights, painters, opera singers, jazz singers, actors, dancers, choreographers, models, fashion designers, cooks, homemakers, business owners are all people of color. Almost overnight, they have replaced the formerly mainly white faces.

Of course, the role once played by black Africans in the black African slave trade, the existence of contemporary black African slavery and anti-black racism among ethnic Arab Muslims is never given as context or perspective.

But, back to my daily morning newspaper. Perhaps this is a rightful introduction to those whose work has formerly been disappeared due to racism? A smart way to normalize and accustom white folk to the reality of a multicolored world? National redemption? What if this message of black and brown primacy is misinterpreted and leads to angry mobs attacking the owners of local NYC restaurants simply because they are white? Or to the torching of white-owned buildings… oh, wait. That was last summer.

O People my People: What ever happened to the idea that we were one nation indivisible? A nation that ingeniously absorbed “multitudes” and slowly, carefully, “melded” them all into one “pot”? Was that a complete and utter lie?

And now, we are told that Caitlyn Jenner will be running for governor of California. ‘Twas only a matter of time. Jenner’s run is part of the celebrity culture takeover/takedown of meritocracy. If you are famous enough and/or trendy enough you can do… anything. Pilot a spaceship, pilot a United Airlines plane, run a corporate enterprise on diversity training. Run for political office, too.

Just as an old, white, man (wait, that would be President Biden) cannot represent a gay man or a transgender woman — and who looks nothing like a lesbian or like a modest Muslim woman wearing hijab or a Sikh in a turban — now, celebrities who follow Orwell’s Newspeak script will serve as our political leaders, just as if they’re acting in a movie.

No political, intellectual, government, diplomatic, or administrative experience necessary as long as you are the right color, claim to sleep with only the right people, and sport the rainbow flag. (American Thinker)

This article originally appeared on the AmericanThinker.com web site

 

MIT Study Challenges Social Distancing Guidelines, 6 Foot Rule

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AP

By Nick Koutsobinas (NEWSMAX)

new study published by researchers at the Massachusetts Institute of Technology says you’re no safer from COVID-19 indoors at 6 feet or 60 feet, challenging social distance policies.

The study, led by Martin Z. Bazant, a chemical engineering and applied mathematics teacher, and John W.M. Bush, a professor of applied mathematics, argues that there “really isn’t much of a benefit to the 6-foot rule, especially when people are wearing masks,” Bazant told CNBC.

“It really has no physical basis because the air a person is breathing while wearing a mask tends to rise and comes down elsewhere in the room so you’re more exposed to the average background than you are to a person at a distance,” he added.

The study points out that contrary to arguments by the Centers for Disease Control and Prevention and the World Health Organization, the amount of time you spend with an infected person indoors puts you at risk due to the air currents moving in the background.

The researchers say opening windows and installing fans is just as good as spending large amounts of money on expensive air filters. Researchers also said indoor occupancy caps were also flawed, saying 20 people gathered together for one minute inside would be fine.

“What our analysis continues to show is that many spaces that have been shut down in fact don’t need to be,” Bazant told CNBC. “Often times the space is large enough, the ventilation is good enough, the amount of time people spend together is such that those spaces can be safely operated even at full capacity and the scientific support for reduced capacity in those spaces is really not very good…think if you run the numbers, even right now for many types of spaces you’d find that there is not a need for occupancy restrictions.

“This emphasis on distancing has been really misplaced from the very beginning,” he added.

“The CDC or WHO have never really provided justification for it, they’ve just said this is what you must do and the only justification I’m aware of, is based on studies of coughs and sneezes, where they look at the largest particles that might sediment onto the floor and even then it’s very approximate, you can certainly have longer or shorter range, large droplets.

“If you look at the air flow outside, the infected air would be swept away and very unlikely to cause transmission. There are very few recorded instances of outdoor transmission…Crowded spaces outdoor could be an issue, but if people are keeping a reasonable distance of like 3 feet outside, I feel pretty comfortable with that even without masks frankly.”

“We need scientific information conveyed to the public in a way that is not just fearmongering but is actually based in analysis,” Bazant said.

Arab rioters return to Jerusalem after night of chaos

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Palestinians burn tires in Gaza in solidarity with fellow rioters in Jerusalem, April 24, 2021. (AP Photo/Adel Hana)

By World Israel News Staff and AP

On Saturday night, Palestinians again gathered in Jerusalem to provoke police outside the Old City’s Damascus Gate

This location has been the site of nightly clashes since the Muslim month of Ramadan began.

Officers attempted to move Palestinians away from the stairs outside the gate.

In recent weeks, Arabs have also uploaded videos to social media of random violent attacks on Jews.

On Saturday night, Israel Police Commissioner Kobi Shabtai blasted “extremists from both sides,” referring to Arab rioters and Jewish activists who staged a protest march over the violence on Thursday night.

On Friday evening, Israeli police said 44 people were arrested and 20 officers were wounded in a night of chaos in Jerusalem, where security forces separately clashed with Palestinians angry about Ramadan restrictions and Jewish activists who held a march nearby.

Meanwhile, Palestinian terrorists in the Gaza Strip fired at least 10 rockets toward Israel late Friday and early Saturday in the worst cross-border flare-up in months. Some of the missiles were intercepted by Israeli air defenses and others fell near the Gaza frontier. The Palestinian Front for the Liberation of Palestine claimed responsibility for some of the rocket fire and Hamas’ armed wing warned Israel “not to test” its patience.

Meanwhile, hundreds of people challenged nightly curfews imposed by Gaza’s Hamas rulers to curb the coronavirus outbreak and took to the streets in an act of solidarity with fellow rioters in Jerusalem.

But late Friday, dozens of Palestinians marched toward an entrance to the walled Old City of Jerusalem and threw stones and other items at officers. Six Palestinians were injured with two hospitalized.

Palestinians have clashed with Israeli police on a nightly basis since the start of the Muslim month of Ramadan. The tensions began when police placed barricades outside the Old City’s Damascus Gate, where Muslims traditionally gather to enjoy the evening after the daytime fast.

Late Thursday, hundreds of Palestinians hurled stones and bottles at police, who fired a water cannon and stun grenades to disperse them. Dozens of Palestinians were wounded in the melee.

Meanwhile, a right-wing Jewish group known as Lehava led a march of hundreds of protesters chanting “Arabs get out!” toward the Damascus Gate. The show of force came in response to videos circulated on TikTok showing Palestinians violently attacking religious Jews at random.

Videos circulated online showed smaller clashes and fires elsewhere in the city. One video showed what appeared to be a group of Palestinians beating an ultra-Orthodox Jew near Damascus Gate. They could be seen punching, kicking and throwing him to the ground before police chased them off.

The U.S. Embassy said it was “deeply concerned” about the violence in recent days. “We hope all responsible voices will promote an end to incitement, a return to calm, and respect for the safety and dignity of everyone in Jerusalem,” it said in a statement.

Tens of thousands of Palestinians attended weekly prayers at the Al-Aqsa mosque compound in Jerusalem’s Old City on Friday, a structure built on top of the Temple Mount, which is Judaism’s holiest site.

Sheikh Muhammad Hussein, the Grand Mufti of Jerusalem, condemned the “police and settlers’ attack on Palestinians in Jerusalem” in his Friday sermon.

The sprawling hilltop compound has seen clashes on a number of occasions over the years and was the epicenter of the 2000 Palestinian intifada, or uprising.

“After a long series of protests and demonstrations, we have reached the conclusion that without weapons, we cannot liberate our land, protect our holy sites, bringing back our people to their land or maintain our dignity,” said senior leader of the Hamas terror group, Mahmoud Zahar, on Friday.

Smotrich: Maybe it’s time to replace Netanyahu

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by Hezki Baruch (INN)

The chairman of the Religious Zionist Party, Bezalel Smotrich, on Saturday night attacked Prime Minister Benjamin Netanyahu following his response to the wave of terror that is sweeping eastern Jerusalem.

“Say, after countless terrorist incidents and lynchings of the Arab enemy in recent days and after a barrage of missiles from Gaza towards communities in the south, Netanyahu actually called tonight for calm on all sides? Maybe it really is time to replace him.”

The Likud said in response, “After the Prime Minister and the Likud donated three seats to the Religious Zionist party and reserved another MK for them on the Likud list, and when Bezalel Smotrich is not a partner to the most sensitive security assessments, it would be better for Smotrich to show a minimum of modesty, responsibility and gratitude and not to attack the Prime Minister who works day and night for the benefit of Israel’s security.”

MK Miki Zohar also responded to Smotrich and said, “One of the main characteristics of ungratefulness. You passed the electoral threshold because the Likud gave you three seats, a little modesty wouldn’t hurt.”

Smotrich then responded to Zohar and said, “Miki, if everyone here who claims to have ‘donated’ three seats to me would have actually done it, I would have had 15 seats today…So enough already with this nonsense. Bibi did not do me any personal favors and I emphasized throughout that I am not personally committed to him but to the values of the right and my religious Zionism.”

“Abandonment of the State of Israel and the security of its citizens to Arab rioters and then having a Prime Minister who feels like he is from the UN is not part of my values. I am sorry. Just like the formation of a government that will depend on supporters of terrorism who deny our existence here and support to these rioters. And in one sentence that the time has come for you and your friends to internalize: I am a right-wing man, not a Bibist.”

COVID and Cabin Fever Inspire New Uses of NYC Outdoor Space This Summer

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Rachel Holliday Smith, THE CITY

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A Brooklynite rests under a magnolia tree with their dog in Prospect Park.
A woman rests under a magnolia tree with her dog in Prospect Park. | Hiram Alejandro Durán/THE CITY

Sure, air conditioning is nice. But after the year we’ve had, who wants to stay indoors this coming summer?

Much more of city life is expected to take place in expanded public spaces in upcoming weeks — with coronavirus infection rates slowing, vaccinations growing and a year of creative thinking setting the stage for a cautious outdoors rebirth.

Plans are already rolling out for new outdoor venues, events and a return of some classic summertime rituals. At the same time, expect that warm weather crowds will likely exacerbate tussling over New York’s most ubiquitous public spaces: our streets and sidewalks.

“The pandemic really invited us to recognize that fresh air is everywhere and New York has amazing open spaces,” said Fatima Shama, executive director of the Fresh Air Fund, one of the many groups looking to squeeze more sunshine out of the Big Apple this summer.

Grab a hat and sunglasses, here’s what’s good with New York’s great outdoors this summer.

New Spaces to Stretch Out

A number of new outdoor spaces are set to open at the start of summer, giving citydwellers extra options to spread their wings while social distancing.

Manhattan’s West Side is getting two major new parks within weeks. At Pier 76, work is ongoing to convert the dreaded old NYPD tow pound into a 5.6-acre open space set to open to the public by June, the governor announced in March.

The conversion had been on the drawing board for years. The tow pound will ultimately be demolished and turned into a more permanent park, according to plans from the Hudson River Park Trust. For now, the sped-up renovation will remove the pound’s roof so people can hang out underneath its steel beams.

Hiram Alejandro Durán/THE CITY
“Little Island” off Pier 55 on the West Side nears completion, April 20, 2021.

About a mile away, Little Island at Pier 55 — once nicknamed Diller Island for its media mogul benefactor, Barry Diller — is just about ready to launch.

The hilly park, built over the river with concrete pylons at various heights, will debut by “late spring,” said Danielle Ruff, a spokesperson for Little Island. Live performances at a 700-seat outdoor amphitheater are set to begin there in June, according to the governor’s office.

Diller and his wife, fashion designer Diane von Furstenberg, dropped a cool $250 million to build the island, one of the largest philanthropic donations for park space in the city’s history.

The Hudson River Park Trust will own and maintain the man-made island’s structure, while the the Diller-von Furstenberg Family Foundation will pay for its staff and operation, according to Claire Holmes, a spokesperson for the Trust.

If you’re looking to stay on the mainland, Lincoln Center is converting its 16-acre campus into public park-like space with new outdoor performance venues this summer.

The idea is to turn the venue’s plaza and open areas — which were not designed for recreation — into much more accessible spaces, said Jordana Leigh, Lincoln Center’s senior director for artistic programming.

“We have this amazing land, but it’s not the most welcoming feeling to just come in — where are you going to sit?” she said.

Over the summer, the famed arts center’s plaza will become “The Green,” a 14,000-square-foot open space covered in artificial turf designed by Tony Award-winning set designer Mimi Lien.

“She’s going to transform this into a space that’s green and lush, and really welcoming,” said Leigh. “You can just come and hang out and have another space to relax in New York City.”

From the Woods to the Concrete Jungle

City kids will also have new opportunities for outdoor play through the Fresh Air Fund.

Last year, the pandemic forced the 140-year-old nonprofit — born during a tuberculosis epidemic to give the city’s youth access to the rural outdoors — to figure out new ways to operate when it cancelled its in-person 2020 season.

Included in the shut down were the fund’s Hudson Valley sleepaway camps and all visits by kids to host families in rural areas.

“[W]e creatively used all that we know about doing what we do in the woods to just do it here,” said Shama.

Hiram Alejandro Durán/THE CITY
The plaza at Lincoln Center for the Performing Arts will be transformed into green space.

The group is building off its pandemic-inspired Summer Spaces program, begun last July to create play areas in city streets, serving children in lower-income neighborhoods and areas most affected by the COVID-19 crisis, Shama said.

The program will offer three-hour blocks of time four days a week for kids ages 5 to 12 to participate in activities like dancing, arts and crafts, outdoor science, tech, math and music lessons — all socially distanced.

“I’ve never seen such creativity with hula hoops,” Shama said of the program, which last summer used the circular toy for both fun and spacing.

Struggle for Street Space

Street space, meanwhile, is poised for a repeat as New York’s hottest commodity this summer.

Yes, indoor dining is growing. But Andrew Rigie, executive director of the New York Hospitality Alliance, doesn’t expect the pandemic-era al fresco dining experience to dissipate any time soon.

“Outdoor dining will continue to be an enormous part of the city’s streetscape,” he said, especially since “some people still aren’t comfortable eating indoors.”

This season may bring even more creative and beautiful outdoor dining set-ups as new eateries set up shop — dozens of restaurants opened in April alone, according to Eater’s running list. The ones that have survived may have a bit more cash flow to further spruce up the spaces owners built out in a hurry last year, Rigie predicts.

Around many of those outdoor dining set-ups, the Open Streets program will run through the summer as city government figures out how to make the pandemic-induced traffic-stopping program permanent.

Courtesy Sunset Park BID
The Open Streets section of Fifth Avenue in Sunset Park in 2020.

Going into Year Two of the initiative, a number of challenges to keep the street clear have cropped up. THE CITY reported Thursday that struggling restaurateurs are having a tough time making it work without funding and support from City Hall.

New liability and permitting requirements for this year’s Open Street program have become hurdles. Transportation Alternatives is leading a coalition demanding changes from City Hall, as well as more funding, “to bring this program to the next level,” an open letter from the group reads.

“Right now, the city is heavily relying on volunteers to operate and maintain Open Streets without providing a clear source of funding for those groups to maintain those Open Streets,” said Erwin Figueroa, director of organizing at Transportation Alternatives.

“Just imagine, you get to dance in the middle of the street.”

And a small but vocal number of neighbors at various Open Streets locations have fought or sabotaged the system by ripping down or driving past barricades, ignoring “No Parking” signs and harassing volunteers.

Longtime Sunnyside, Queens, resident Roz Gianutsos, a psychiatrist who is one of those volunteers and self-described “barricade lady” maintaining the Open Street on 39th and Skillman avenues.

She’s had run-ins with aggressive drivers, she said. But, “more often, we get support” from locals, said Gianutsos.

“The original conception of the Open Streets was because of physical distancing … but the reality is, it does a whole lot more,” she said. “It brings you out in connection with neighbors.”

The Arts Outdoors

New York is nothing without culture, so artists and entertainers have been finding creative ways to perform publicly for months. This summer, that effort will go into overdrive.

Broadway stars have already shown up in storefront windows and in public plazas giving surprise performances as part of NY PopsUp, a state initiative to bring music, dance and theater back to New York.

The project began in February with a performance at the Javits Center for healthcare workers by “The Late Show” bandleader Jon Batiste and will run through Labor Day. There will be hundreds of events — but because of their “impromptu nature” not all performances will be announced in advance, a press release for the program said. You’ll have to follow on social media for alerts.

The city has also begun to allow artists to apply for permits through the new “Open Culture” program that brings socially distanced performances, arts events and public rehearsals into New York’s streets.

Naomi Goldberg Haas has used the program already to bring free dance classes to seniors. She is the founding artistic director of Dances For a Variable Population, a nonprofit that promotes creative movement and dance for older New Yorkers.

Her group took part on “day one” of Open Culture — with dance lessons on a block on East 103rd Street in East Harlem that had been closed to traffic — and said it’s been “immediately popular,” she said.

“People get really excited by it. Just imagine, you get to dance in the middle of the street. There’s room, and also they feel protected,” she said.

Hiram Alejandro Durán/THE CITY
A child jumps to pop a large and streaking soap bubble near Bethesda Fountain in Central Park, April 20, 2021.

The events tend to draw a crowd, though they are not necessarily meant to be performances.

“People come by just because the sight of older people dancing is very inspiring,” she said. Some want to join in then and there, but for safety reasons, they have to register first.

“Then they come the next week,” Haas added.

Meanwhile, some major outdoor performance classics are coming back in 2021, including the Tribeca Film Festival, which is slated to take place partially outdoors in June. SummerStage will offer live music events in city parks this summer, though exact performers and dates have yet to be announced.

At Lincoln Center, the Restart Stages program will bring a number of cultural organizations to the venue’s new outdoor performances spaces. A number of cultural organizations, including the Weeksville Heritage Center in Brooklyn, the Bronx Academy of Arts and Dance and the Harlem Arts Alliance, are set to perform and tickets will be free on a first come, first served basis.

And, forsooth, Shakespeare in the Park will be back after its 2020 season cancellation. The Public Theater will stage “Merry Wives,” adapted from “The Merry Wives of Windsor,” directed by Saheem Ali. As always, tickets are available only through a daily distribution in Central Park and in a lottery at the Public Theater.

Return of the Classics

Splashing in the pool, eating a hotdog in the stands, riding the Cyclone — rejoice! Your New York summertime favorites are coming back. Here’s more of what you have to look forward to:

  • City kids can cannonball once again: Nearly all public pools are opening on June 26, Mayor Bill de Blasio announced earlier this month. That’s a big change from last year, when most pools were shuttered all summer and only a handful opened for the last half of the season.
  • City zoos will roar back with 50% capacity as of late April.
  • Baseball has stepped back up to the plate, with Yankee Stadium and Citi Field cleared to fill ballpark seats up to 20% capacity for now.

Coney Island’s amusements at Luna Park are back in business — though some rides set to open in 2019 are still not cleared for takeoff, as THE CITY reported earlier this month.

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